Interstitium I, 2026
Acrylic on linen canvas.80 × 60 × 3.5 cm (31 1/2 × 23 5/8 × 1 3/8 in).
(TK_095)
Image courtesy of Buysse Gallery. © Tycjan Knut. All rights reserved.
Interstitium I, 2026
Acrylic on linen canvas.80 × 60 × 3.5 cm (31 1/2 × 23 5/8 × 1 3/8 in).
(TK_095)
Image courtesy of Buysse Gallery. © Tycjan Knut. All rights reserved.
Interstitium I, 2026
Acrylic on linen canvas.80 × 60 × 3.5 cm (31 1/2 × 23 5/8 × 1 3/8 in).
(TK_095)
Image courtesy of Buysse Gallery. © Tycjan Knut. All rights reserved.
Interstitium I, 2026
Acrylic on linen canvas.80 × 60 × 3.5 cm (31 1/2 × 23 5/8 × 1 3/8 in).
(TK_095)
Image courtesy of Buysse Gallery. © Tycjan Knut. All rights reserved.
Interstitium I, 2026
Acrylic on linen canvas.80 × 60 × 3.5 cm (31 1/2 × 23 5/8 × 1 3/8 in).
(TK_095)
Image courtesy of Buysse Gallery. © Tycjan Knut. All rights reserved.
Interstitium I, 2026
Acrylic on linen canvas.80 × 60 × 3.5 cm (31 1/2 × 23 5/8 × 1 3/8 in).
(TK_095)
Image courtesy of Buysse Gallery. © Tycjan Knut. All rights reserved.
Tycjan Knut Poland, b. 1985
Interstitium I, 2026
Acrylic on linen canvas
80 x 60 x 3.5 cm
31 1/2 x 23 5/8 x 1 3/8 in
31 1/2 x 23 5/8 x 1 3/8 in
Series: Interstitium
Further images
Interstitium I (2026) introduces a decisive expansion of Tycjan Knut’s painterly language. A custom-shaped linen support, interrupted by a vertical opening, transforms the relationship between painted illusion and physical space....
Interstitium I (2026) introduces a decisive expansion of Tycjan Knut’s painterly language. A custom-shaped linen support, interrupted by a vertical opening, transforms the relationship between painted illusion and physical space. Soft blue tonal transitions, structural precision and the measured displacement of the pictorial field establish a dialogue between material presence and perceptual uncertainty.
“The fold is simply another way of articulating the boundary between figure and ground. It extends the internal logic of the painting rather than moving into another discipline.” — Tycjan Knut
“The fold is simply another way of articulating the boundary between figure and ground. It extends the internal logic of the painting rather than moving into another discipline.” — Tycjan Knut
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