Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Head of a Cypriot Female, Florian Tomballe, 2025
Scots pine.Image courtesy of Buysse Gallery. © Florian Tomballe.
Florian Tomballe Belgium, b. 1988
Head of a Cypriot Female, 2025
Scots pine
64 x 40 x 40 cm
25 1/4 x 15 3/4 x 15 3/4 in
25 1/4 x 15 3/4 x 15 3/4 in
Further images
-
(View a larger image of thumbnail 1
)
-
(View a larger image of thumbnail 2
)
-
(View a larger image of thumbnail 3
)
-
(View a larger image of thumbnail 4
)
-
(View a larger image of thumbnail 5
)
-
(View a larger image of thumbnail 6
)
-
(View a larger image of thumbnail 7
)
-
(View a larger image of thumbnail 8
)
-
(View a larger image of thumbnail 9
)
-
(View a larger image of thumbnail 10
)
In Head of a Cypriot Female (2025), Florian Tomballe turns to the enduring presence of the sculpted head as a vessel of memory and form. Carved from Scots pine, the...
In Head of a Cypriot Female (2025), Florian Tomballe turns to the enduring presence of the sculpted head as a vessel of memory and form. Carved from Scots pine, the work draws upon ancient Mediterranean traditions while remaining rooted in a distinctly contemporary language. The figure is not reconstructed from history, but reimagined through reduction, rhythm, and structure.